REVIEW OF AESTHETICS AND FINE ART
Madhat Kakei
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From Robert Rauschenberg to Yves Klein, the monochrome has a density and resonance that belongs to painters who possess a masterly deep sense of perception. Madhat Kakei is one of them. Although the monochrome represents a uniform surface, it contains an immersive energy that radiates to the person who offers himself to his visual listening. Madhat Kakei, originally from Kurdistan, expresses her torments, nostalgia and hopes through the monochrome medium. It is not an insignificant choice because of the vibratory power of the monochrome because it concentrates in its pure state the metaphysical aspect of painting.
Space of perfect synesthesia, the particularity of the monochrome lies in its high capacity of radiation and its dynamic reflexion of the material.
Madhat Katei fled his war-torn country and now shares his life between Stockholm, Paris and Japan where he has a workshop in each of these three countries. In his research on the sound matter of colour and its aesthetic diffusion on the spectator, he aims at galvanizing the timbre of the chromatic scale using the polychrome of plastic emotions. Blue, yellow, green are part of the terminology of his representations of "ethos". His conception of the colour and relief it creates on the canvas is particularly representative of Madhat Kakei's work on the matrix. Madhat Kakei uses the square to space the light and density of the monochrome. He deploys in this surface, which symbolizes the "earth" regenerative matrix forces.
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